But is it art?
Dec. 6th, 2006 01:40 amShould art speak for itself?
The current installation of art at the Diesel is...well. There's a paper bag, its top folded down and the bag apparently full. There's a pencil. A mousetrap. A paint can. All with titles, of course, intended to give them a certain twist--the paper bag was called "The Danger Within" or something like that. But, really, it's all just...stuff. On the wall. As art.
After being there for a few hours, I was getting another cup of coffee (hot chocolate, strictly speaking), and I saw the artist's statement on the wall. It turns out that the various objects weren't actually just Duchamp-like objects presented as art; in fact, the artist had recreated them from raw materials: cutting and folding the brown paper into the shape of a bag; twisting aluminum and shaping and painting wood to form a pencil; and so on. The idea, I think, was that by recreating objects from scratch, the artist was imbuing them with new perspective and meaning. I think.
And that's perhaps an interesting process; but if the end result is, to all appearances, a bunch of household stuff stuck on a wall, should it matter? Should a viewer need to (perhaps even be allowed to) know the process to understand the art?
(See also "Pierre Menard, Author of The Quixote".)
The current installation of art at the Diesel is...well. There's a paper bag, its top folded down and the bag apparently full. There's a pencil. A mousetrap. A paint can. All with titles, of course, intended to give them a certain twist--the paper bag was called "The Danger Within" or something like that. But, really, it's all just...stuff. On the wall. As art.
After being there for a few hours, I was getting another cup of coffee (hot chocolate, strictly speaking), and I saw the artist's statement on the wall. It turns out that the various objects weren't actually just Duchamp-like objects presented as art; in fact, the artist had recreated them from raw materials: cutting and folding the brown paper into the shape of a bag; twisting aluminum and shaping and painting wood to form a pencil; and so on. The idea, I think, was that by recreating objects from scratch, the artist was imbuing them with new perspective and meaning. I think.
And that's perhaps an interesting process; but if the end result is, to all appearances, a bunch of household stuff stuck on a wall, should it matter? Should a viewer need to (perhaps even be allowed to) know the process to understand the art?
(See also "Pierre Menard, Author of The Quixote".)
(no subject)
Date: 2006-12-06 05:57 am (UTC)Different things work for different people. Does it provoke an emotional reaction in everyone? How can it? Nothing does.
You can kind of get at two things, though: Does it provoke the desired reaction in a lot of people? And, when it works, does it provoke an intense reaction? I think Da Vinci works for most people, Picasso works very well or not at all - both are paths to greatness.
This kind of art - that's as much a study of the context of the art as the art itself - fails miserably at the Da Vinci standard. Are there people that are really into that sort of thing? Do _they_ like it? I don't know. If no, it's - well, I'm not presumptuous to say that it's not art, but it's fairly middling by that point.
I realize there's a whole industry and perhaps social class built up around 'art appreciation' and 'art criticism' that would be appalled at the above, but they appall me equally, so it all works out.
(no subject)
Date: 2006-12-06 06:01 am (UTC)http://xkcd.com/c193.html
(no subject)
Date: 2006-12-06 06:20 am (UTC)tomorrow morning
I
am
catching the
A
c
e
l
a
into a poem. The reader might find depth there simply because the format prompts the reader to look for it and *everything*, even drivel, can be the source of interpretive depth. But it's still just applying tags to a bit of prose.
(no subject)
Date: 2006-12-06 06:46 am (UTC)*secretly often loves YA novels in free verse*
(no subject)
Date: 2006-12-06 01:53 pm (UTC)*secretly kind of never does, even though they're "hip" and "popular" and she feels that she should*
(no subject)
Date: 2006-12-06 09:14 am (UTC)(no subject)
Date: 2006-12-06 09:18 am (UTC)(no subject)
Date: 2006-12-06 02:19 pm (UTC)I still don't know that I'd call it art. Philosophical statements aren't Art to me.
(no subject)
Date: 2006-12-06 06:55 am (UTC)I'm not sure whether I agree, but it's certainly an interesting place to start the discussion.
(no subject)
Date: 2006-12-06 09:16 am (UTC)(no subject)
Date: 2006-12-06 05:06 pm (UTC)(no subject)
Date: 2006-12-06 11:27 am (UTC)But, as pointed out, that's my arbitrary interpretation. But it seems likely.
(no subject)
Date: 2006-12-10 09:53 pm (UTC)Well, as a liker-of-art-that-makes-others-go-"Huh?", my only comment is that whether you think it's art or not, it seems to have made you wonder about it long enough to post about it... and for us to engage in discussion. So it did SOMETHING.
(Ok, one more comment. I like Jofish's interpretation.)
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